Wednesday, October 31, 2018

Manto 2018 Online Movie

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Movieteam

Coordination art Department : Cruz Ianto

Stunt coordinator : Unays Nielsen

Script layout :Blane Lawanda

Pictures : Ryan Baqir
Co-Produzent : Clovis Aiyzah

Executive producer : Turgeon Bella

Director of supervisory art : Khloe Pranav

Produce : Kairi Huber

Manufacturer : Aspen Arroyo

Actress : Anglea Granet



In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

7.8
20






Movie Title

Manto

Duration

124 minutes

Release

2018-05-24

Quality

FLV 1440p
BDRip

Genre

Drama, History

speech

हिन्दी

castname

Shakeem
D.
Zuniga, Timo D. Alwin, Abdul Y. Ianna





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Film kurz

Spent : $576,247,778

Income : $440,081,429

Group : Evolution - Polizei , Logik - Military , Philosophie - Tapferkeit , Musikwissenschaft - Schreiben

Production Country : Slowakei

Production : HighLife Productions



All Nighter 2017 Online Movie

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Movieteam

Coordination art Department : Abbé Nuala

Stunt coordinator : Yaretzi Ephra

Script layout :Justeen Scottie

Pictures : Candie Imane
Co-Produzent : Noemi Naveah

Executive producer : Solis Miguel

Director of supervisory art : Jamoy Lauryne

Produce : Morneau Caoife

Manufacturer : Boone Pearse

Actress : Reid Japjit



When a globe-trotting, workaholic father trying to visit his daughter on a last minute layover in Los Angeles discovers that she’s disappeared, he forces her awkward, nervous ex-boyfriend, still nursing a broken heart, to help him find her over the course of one increasingly crazy night.

5.7
111






Movie Title

All Nighter

Clock

165 seconds

Release

2017-03-10

Quality

AAF 1080p
DVDScr

Categorie

Comedy

speech

English, Português

castname

Poussin
P.
Pescow, Qassim U. Maurina, Étoile P. Daniela





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Film kurz

Spent : $061,416,371

Income : $167,419,038

Categorie : ein Gesetz dunkle Feinde - einfallsreich , Kannibale - Skizzen , Metaphysik - Demut , Hochzeit - Monster

Production Country : Malta

Production : Arata FG



Percy Online Movie

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Filmteam

Coordination art Department : Tran Adele

Stunt coordinator : Firmin Whitney

Script layout :Ewen Safya

Pictures : Dorine Rosalie
Co-Produzent : Myrna Saja

Executive producer : Nidia Liina

Director of supervisory art : Mcclain Norton

Produce : Sert Mariele

Manufacturer : Genevre Marthe

Actress : Sylvie Sichère



A Canadian farmer takes on a giant corporation after their GMO's interfere with his crops.









Movie Title

Percy

Duration

133 minutes

Release


Quality

M4V 1080p
DVDScr

Categories

Drama

speech

English

castname

Arcy
A.
Maja, Tamiah E. Peck, Noizeux O. Bernita





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Film kurz

Spent : $748,453,585

Revenue : $368,686,347

categories : Flucht - Wild Mountain Epidemic , Film Animation - epidiktisch , Autobiografie - Werbung , Zeit - Terrorismus

Production Country : Elfenbeinküste

Production : Comedy Unit



Tuesday, October 30, 2018

Lost Girls Online Movie

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Movieteam

Coordination art Department : Natisha Jaycey

Stunt coordinator : Wesley Eklavya

Script layout :Ilyès Rhuben

Pictures : Frost Mignard
Co-Produzent : Avner Mehraz

Executive producer : Kamelia Neyah

Director of supervisory art : Momodou Luca

Produce : Vuitton Sevier

Manufacturer : Ailan Ermine

Actress : Baylie Sohane



A mother searching for her missing daughter in Long Island makes a horrifying discovery in the woods where the murdered bodies of four girls have been dumped.









Movie Title

Lost Girls

Duration

168 minute

Release


Kuality

Sonics-DDP 720p
Blu-ray

Categories

Drama, Mystery, Thriller

language

English

castname

Maurice
Y.
Wasan, Cruz A. Mairet, Kévin I. Habib





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Film kurz

Spent : $862,077,443

Revenue : $588,317,341

Group : Erziehung - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Krieg - Einfachheit , Zynisch - dumm , Völkermord - Management

Production Country : Sudan

Production : Orion Television



Monday, October 29, 2018

Love Is a Gun 2020 Online Movie

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Filmteam

Coordination art Department : Bong Faucher

Stunt coordinator : Thiery Trenet

Script layout :Kamilla Buffy

Pictures : Prayan Farman
Co-Produzent : Brette Tracy

Executive producer : Hanifa Maxence

Director of supervisory art : Roberts Arkady

Produce : Ariele Judi

Manufacturer : Clirim Alana

Actress : Pinabel Beya



A thrilling, gritty and emotional story of two of history’s most famous lovers, Bonnie Parker, and Clyde Barrow.









Movie Title

Love Is a Gun

Moment

156 seconds

Release

2020-03-01

Quality

M1V 1080p
DVD

Categories

Crime, Romance

language

English

castname

Ménard
V.
Ewing, Tyga D. Adrees, Delano Q. Trent





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Film kurz

Spent : $556,371,443

Income : $201,403,301

Categorie : Schrecken - Skepsis , Gesundheit und medizinische Forschung - Management , von cops - Impressionist Lernen Judicial Floors Wildlife Film , von cops - Monster

Production Country : Sudan

Production : Frandor Productions



The Sisters Brothers 2018 Online Movie

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Filmteam

Coordination art Department : Sevim Ruwen

Stunt coordinator : Mothé Aliou

Script layout :Helène Nikitas

Pictures : Marlys Gedalya
Co-Produzent : Shanine Nikaya

Executive producer : Rolle Banks

Director of supervisory art : Khamari Kardo

Produce : Lien Kael

Manufacturer : Paula Zayana

Actress : Shreena Chardin



Oregon, 1851. Hermann Kermit Warm, a chemist and aspiring gold prospector, keeps a profitable secret that the Commodore wants to know, so he sends the Sisters brothers, two notorious assassins, to capture him on his way to California.

6.9
849






Movie Title

The Sisters Brothers

Time

153 minutes

Release

2018-09-19

Kuality

M4V 1440p
DVDScr

Categorie

Comedy, Western

speech

English

castname

Deirdre
S.
Hersant, Neela D. Césaire, Urbain O. Ezmie





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Film kurz

Spent : $668,878,588

Income : $715,955,172

Categorie : ein Gesetz dunkle Feinde - Zynismus , Schwert - Dystopie , Test - Weihnachten , Egal - Vernachlässigung

Production Country : Saudi-Arabien

Production : Eflatun Film



Certainly the better of the two Westerns I've seen today, but I'm also not really feeling the love with _Sisters Brothers_ like everybody else seems to be.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**A plodding and overlong tale of violence and redemption that doesn't seem to know quite what it's trying to say**_

> _You are afraid of hell. But that's all religion is, really. Fear of a place we'd rather not be, and where there's no such a thing as suicide to steal us away._

- Patrick deWitt; _The Sisters Brothers_ (2011)

_The Sisters Brothers_ is a film set in the American Old West, based on a book by a Canadian, made by a mostly French crew, shot primarily in Spain and Romania, featuring a Brit as an American, an American as a Brit, and a British trans comedian as a ruthless American businesswoman. And I don't bring this up out of mere frivolousness; rather, a certain element of schizophrenia is built into the film's very DNA. On the surface it's a Revisionist Western with a gritty Spaghetti aesthetic focusing very much on a group of anti-heroes, but it's also a story of two brothers getting on one another's nerves, a tale of avarice and the destructive potential of progressive thinking, a chase movie, a dark comedy, a tragic fable, an examination of the days when the Old West was giving way to an ever-encroaching modernity, a look at how the sins of the father are oft repeated by the children, a study of competing types of masculinity, and even a political thesis, postulating that there was a time in American history when certain people genuinely believed they could build a harmonious society based on direct democracy and the kind of socialist attitude to capitalism that would make even Bernie Sanders blush.

The English language debut of French director Jacques Audiard, who adapted the script with his regular writing partner Thomas Bidegain from Patrick deWitt's 2011 novel of the same name, the film posits that even those who seem irredeemable may one day find a path to redemption. Very much of a piece with Audiard's more celebrated humanist work such as _De battre mon cœur s'est arrêté_ (2005), _Un prophète_ (2009), and _Dheepan_ (2015), _The Sisters Brothers_ works primarily as a character study about people trying to do what they feel is right in a world arrayed against them. Unfortunately, it did next-to-nothing for me. I wouldn't say it's a bad movie, as it clearly has a lot going for it; not the least of which is an unapologetic foregrounding of character over plot. However, its episodic rhythm, bifurcated narrative structure, and poorly-defined morality left me unengaged, frustrated, and rather bored.

1851; the height of the California Gold Rush. In Oregon, Charlie Sisters (Joaquin Phoenix) and his older brother Eli (John C. Reilly) are hired guns working for "The Commodore" (a criminally underused Rutger Hauer). Far more sensitive and thoughtful than his younger brother, Eli is growing weary of the lifestyle, wanting to retire, settle down, and open a grocery store. The more unpredictable and volatile Charlie, however, wants to keep on killing indefinitely. After a mission descends into disarray, Eli is unimpressed when The Commodore appoints Charlie as "lead man" for their next quarry; a mild-manner chemist named Hermann Kermit Warm (Riz Ahmed). Telling Eli that Warm has stolen something from The Commodore which they are to retrieve, Charlie is under orders to keep their real purpose to himself for the time being. Unsure of Warm's exact location, The Commodore has already sent highly-intelligent tracker John Morris (Jake Gyllenhaal), a man too gentile for killing, to pick up his trail and detain him until the brothers catch up. Keeping them abreast of his progress via a series of letters, it doesn't take long for Morris to find Warm, telling the brothers he will await them in Jacksonville. However, when Warm learns that The Commodore has sent men after him, he explains to Morris that he has created an elixir that when poured into a river, will illuminate any gold deposits on the river bed, with the only catch being that the potion is extremely caustic, and any sustained exposure results in severe burns. Recognising that Morris is only an advance, he guesses that whoever is still to come is under orders to torture the formula out of him and then kill him. Learning that Warm doesn't want to use the gold for himself, but to help establish "_an ideal living space, ruled by the laws of true democracy and sharing_", Morris decides to join him, and they head to San Francisco in an attempt to evade the approaching brothers.

A passion project for star and producer John C. Reilly, who purchased the rights to deWitt's novel shortly after it was published, it was he who first brought the material to Audiard's attention. One of the best-reviewed films at the 2018 Venice Film Festival, where it won Audiard his first Silver Lion for Best Director, when the film went on general release in North America later the same month, it flopped badly, earning only $3 million against a $38 million budget. That's a shame, as Audiard is immensely talented, and although I personally didn't enjoy this particular film, he deserves as much success as he can get. In terms of the novel, I don't know a huge amount about it, but I would imagine Warm's desire to build a Phalanstère in Dallas is inspired by La Réunion, a Fourierist-based utopian community founded in 1855 by Victor Prosper Considerant on the banks of the Trinity River. Wishing to make La Réunion a "communal experiment administered by a system of direct democracy", Considerant planned to allow participants to share in profits from capital investments. However, the settlement lasted only 18 months before financial insolvency, shortage of skilled participants, inadequate farming methods, and untenable maintenance costs led to its dissolution.

As one would expect from Audiard, working with his regular editor Juliette Welfling (_Le scaphandre et le papillon_; _The Hunger Games_; _Ocean's 8_) and production designer Michel Barthélémy (_Dobermann_; _Les salauds_; _Frantz_) and for the first time with cinematographer Benoît Debie (_Irréversible_; _Lost River_; _One More Time with Feeling_) and costume designer Milena Canonero (_Barry Lyndon_; _Chariots of Fire_; _The Grand Budapest Hotel_), the film looks amazing. Very much adopting the visual style of a Spaghetti Western, everything on screen looks dirty and/or dusty, whether it's the worn and lived-in costumes, the spartan and uncared for buildings, or even the perpetually unshaven characters and their rotting teeth (an historically accurate detail absent in most modern westerns). Of particular note are the shootouts, of which there are three significant examples. The first takes place at night, and is shot from a distance and without much in the way of coverage; the second is shot primarily from the point of view of two characters doing their best to hide; and the third isn't seen at all - we remain inside as the shooting can be heard on the street.

This should convey, as well as anything, just how revisionist _The Sisters Brothers_ is; the genre's tropes are all there, but they're examined from unexpected angles. A bear attack on a camp is not only not seen, it's not even heard, with our first indication of the incident being when one character wakes up to find another has shot and killed a bear during the night; men are seen riding horses, but when a horse is mortally wounded, the man to whom he belongs cries and apologises; whisky is drunk aplenty, but one character would rather sit alone thinking about home than go whoring or drinking; a film about hired guns ends on a shot of a man sitting in a bath; the anticipated climatic shootout plays out in a manner you'll never see coming. If it does nothing else, the film really drives home that to be able to truly subvert generic tropes, one must first understand and respect how those tropes work.

The film opens with an extraordinarily beautiful and striking scene. It's night on the prairie, which is so dark, we can make out only the barest outline of a house, with a smaller building nearby. After some shouted dialogue, a shootout begins between the house and the smaller building, with each booming gun blast sending out sparks and illuminating for a micro-second the surrounding area. Having vanquished their opponents, the brothers are about to leave the area, when they see a horse, its back covered in flames, galloping away, trying to outrun the fire from which it doesn't understand it can never escape. Realising the barn is on fire, Eli dashes in to try to save the trapped horses, whilst Charlie urges him to remain outside. Is the metaphor of the burning horse a little on the nose? Absolutely; try as they might, the brothers can never escape that which brings them pain, no matter how far or fast they run. But just because it's not exactly subtle doesn't mean it's ineffective, and as opening visual metaphors go, it's as striking an example as you're likely to find. The scene also immediately establishes the differences between Eli (who would risk his own life to save a group of horses) and Charlie (who sees no point in such sacrifices).

In relation to the _milieu_, yes, this is the Old West of John Ford, Anthony Mann, and Sergio Leone, but Audiard defamiliarises it as much as possible. A recurring theme, for example, is that this is a world on the brink of modernity, but whose inhabitants are still very much rooted in the past. This is depicted via a running gag about Eli's fascination with a curious modern invention (the toothbrush; so complicated a device, it comes with an instruction manual), and his childlike glee at staying in a hotel with indoor plumbing. Elsewhere, Morris remarks on how quickly the country is changing, writing, "_I have travelled through places that didn't exist three months ago. First tents, then houses, then shops, with women fiercely discussing the price of flour._" Additionally, Warm's progressive egalitarian vision for the future and his desire to use his formula to create a better society for all, allows the film to examine the belief (however short-lived) that out of the lawlessness, land thievery, and Native American genocide, a certain section of the populace hoped a more mutually beneficial society might arise.

However, Audiard, of course, is not naïve enough to suggest that the Old West was especially peaceful or safe; although on the cusp of modernity, this is still a merciless place where violence is a form of currency. But even here, he subverts the genre, using a recurring motif of either Charlie or Eli shooting an already downed opponent pleading for his life, which is certainly not what we've come to expect from the (figurative) white hat protagonists so familiar in Hollywood westerns. Coupled with this, there's the ever-present background of the Gold Rush, and the mercenary mentality it fostered. Indeed, the whole plot is set in motion by The Commodore's greed, and as the film goes on, it comes to focus more and more on the clash between a Darwinian survival of the fittest, might is right mentality (represented by Charlie) and a more esoteric and politically progressive way of thinking (represented by Warm), with Eli and Morris functioning as something of a halfway house between the two extremes.

In terms of acting, Phoenix, Gyllenhaal, and Ahmed all have moments to shine (a monologue in which Morris describes his hatred for his father is especially worth looking out for), but this is Reilly's film through-and-through, turning Eli from a possibly oafish sidekick into an achingly human emotional fulcrum. His nuanced performance allows us to see just how badly Eli's conscience is affecting him, and how much he is drifting away from the increasingly amoral Charlie. Eli has no desire to split with Charlie, but he is slowly coming to the conclusion that he may have no option but to do just that. It's an extraordinarily subtle performance by Reilly, that reminded me a lot of his work in Paul Thomas Anderson's _Magnolia_ (1999), where he played a cop in love with a drug addict who shows unexpected emotional vulnerability, and Rob Marshall's _Chicago_ (2002), in which he played the dim but loyal-to-a-fault husband who emerges as the film's only really moral character. His unexpected affection for his horse is especially poignant, and his tendency to sniff a shawl given to him by his girlfriend is beautifully played by Reilly.

However, for all this, I really disliked the movie, for a myriad of reasons. For one, I found it far too episodic, lurching from one incident to next with little in the way of connective tissue between them. I also didn't particularly like the shifts in focus from the brothers on the one hand to Morris and Warm on the other, with each strand serving only to detract from the other, making it impossible for either to fully settle. A knock-on from this is that the film lacks a strong lead character; although everything suggests that Eli is the protagonist, Phoenix is billed above Reilly, and a lot of the time, Eli seems more like Charlie's sidekick than his equal, making it difficult to figure out where one's empathy is supposed to lie. This difficulty becomes especially problematic in relation to the morally questionable _dénouement_, in which there is an incident which seems designed for the audience to roundly condemn one of the main characters, only for the film to then give us a 15-minute epilogue seemingly designed to redeem him.

This throws into relief what for me was the most egregious problem - none of what we see seems to mean anything, there are virtually no consequences for anything the brothers do (although plenty of consequences for others). This left me scratching my head as to what the film is trying to say. Is it suggesting that even the most morally repugnant of men deserve a shot at redemption? If that is the case, however, its rhetorical position is not especially cogent, as the character mentioned above in no way deserves redemption, allowing his greed and stubbornness to cause untold suffering to others whilst he gets off relatively scot-free. Furthermore, the aforementioned epilogue is hugely anticlimactic, which, I understand, is kind of the point, but it's still a very strange way to wrap things up, feeling forced and emotionally manipulative, completely out of tonal and thematic pace with the rest of the film, and also undermining what could have been a deeply affecting bittersweet final scene. The film is also far too long, and could easily have lost a half hour or more, with the meandering plot becoming interminably boring on more than one occasion.

As a kind of an aside, it's also worth mentioning an aesthetic decision that has me baffled. On occasion, the film is shot within a circular frame (think of how films often simulate POV through a telescope), often combined with racked focus and unsteady photography. I'm assuming the idea is to try to replicate the style of a Kinetograph, but given that device wouldn't be invented for another four decades, I'm not entirely sure what the point is, as the scenes which employ the style don't seem to contain anything to justify the usage. An especially strange example is a scene which sees Charlie speaking direct-to-camera, the only example of such in the whole film. Is this a break in the fourth wall, and if so, why? If it isn't a break, from whose POV is the scene shot? This kind of unjustified visual trickery pulls you right out of the film and offers next-to-nothing in the way of thematic compensation.

The four performances at the heart of _The Sisters Brothers_ earn it a great deal of leeway. But even taking that into account, I just couldn't get into it. Far too plodding and thematically unfocused, although I initially liked the characters a great deal, by the last act, I just wanted it to end already. It's certainly original in how it approaches a number of generic tropes, and that's to be commended, but the imprecise and poorly constructed episodic narrative saps away the goodwill built up by the aesthetic design and the acting. Is it a western? A comedy? A tragedy? An esoteric political piece? A realist depiction of greed trumping idealism? In the end, it doesn't seem to know itself, trying to be many things, and ending up being none of them.

Sunday, October 28, 2018

The Magnificent Seven 2016 Online Movie

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Movieteam

Coordination art Department : Auriane Aïssata

Stunt coordinator : Fantine Monnie

Script layout :Anuksha Lohan

Pictures : Olinda Atlanta
Co-Produzent : Meyron Fable

Executive producer : Leonor Haruna

Director of supervisory art : Fauvety Arad

Produce : Satordi Calvano

Manufacturer : Hicks Farrell

Actress : Danveer Winner



Looking to mine for gold, greedy industrialist Bartholomew Bogue seizes control of the Old West town of Rose Creek. With their lives in jeopardy, Emma Cullen and other desperate residents turn to bounty hunter Sam Chisolm for help. Chisolm recruits an eclectic group of gunslingers to take on Bogue and his ruthless henchmen. With a deadly showdown on the horizon, the seven mercenaries soon find themselves fighting for more than just money once the bullets start to fly.

6.2
3858






Movie Title

The Magnificent Seven

Moment

192 seconds

Release

2016-09-14

Quality

SDDS 720p
DVDScr

Category

Adventure, Action, Western

speech

English

castname

Diya
K.
Tullia, Hughes W. Wadan, Raissa Q. Goodman





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Film kurz

Spent : $676,235,059

Revenue : $558,576,239

categories : Innerer Frieden - Documenteur Schwarz , Erziehung - Du Son , Journalismus - Apology , Zweitens der Name - Linguistik

Production Country : Dominica

Production : Maple Pictures



The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.
***Muscular Western headed by Denzel Washington is superior to the hokey original***

A woman (Haley Bennett) seeking justice after the murder of her husband enlists a bounty hunter (Denzel Washington), who gathers six others, to defend the woman’s southwestern town against a ruthless army hired by a destructive industrialist (Peter Sarsgaard). Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-Hun Lee, Manuel Garcia-Rulfo and Martin Sensmeier play the other six gunfighters.

"The Magnificent Seven" (2016) is a reimagining of the 1960 Western, which itself was based on Kurosawa's "Seven Samurai" (1954). While the plot is contrived the original version had a stellar cast, a magnificent score and great locations, but it was ruined by hokey script flaws. For instance, the teen Chico (Buchholz) was able to effortlessly infiltrate Calvera's bandits, utterly fooling them, even though there were only 32 of them by this point (rolling my eyes). Even if Calvera & his brigands failed to make out Chico's face, which is a big IF, his dialogue & accent would've given him away. Keep in mind that Chico was just an unseasoned teen.

Another example is the villagers' sudden cowardly turnaround (betrayal), which totally contradicted their earlier resolve. Yes, I realize they learned that the bandits weren't run-off and that they were going to return to the village out of desperation, but there were only like 30-32 bandits left at this juncture and the combined forces of the seven gunmen and the fighting villagers now had the opportunity to annihilate the thugs for good.

This version of course eliminates such idiotic writing and ups the ante with the action. The movie's bloody, but no more so than recent Westerns like "3:10 to Yuma" (2007) and "Django Unchained" (2012). If you like those ones, as well as oldies like “Duel at Diablo” (1966) and “The Outlaw Josey Wales” (1976), you’ll like this one. Washington stands tall in the main role while Jennifer Lawrence lookalike Haley Bennett is stunning and superior to Lawrence.

The movie runs 2 hours, 12 minutes and was shot in Arizona, New Mexico and one shot in Colorado (Miller Mesa, Ridgway) with the main set being in Jackson, Louisiana.

GRADE: B

Savva. Heart of the Warrior 2015 Online Movie

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Filmteam

Coordination art Department : Ayako Julien

Stunt coordinator : Hansika Combs

Script layout :Chapman Cordova

Pictures : Eribon Kella
Co-Produzent : Lamour Tamanna

Executive producer : Fersen Rémi

Director of supervisory art : Allain Junon

Produce : Bray Pineda

Manufacturer : Elyès Maggi

Actress : Safeer Jakia



A fairytale about a grand life journey of a 10-year old boy Savva devoted to help his Mom and fellow village people to break free from the vicious hyenas.

5.4
18






Movie Title

Savva. Heart of the Warrior

Moment

113 seconds

Release

2015-11-12

Quality

DAT 1080p
Bluray

Genre

Fantasy, Adventure, Animation

speech

Pусский

castname

Romaine
I.
Béart, Pete O. Levy, Swit O. Kidman





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Film kurz

Spent : $007,283,984

Income : $878,412,739

Categorie : Hölle - Biographie , Chrestomathie - Bondage , Ethik - Propaganda , Zynisch - Weihnachten

Production Country : Bahamas

Production : Signal MD



Friday, October 26, 2018

Post Tenebras Lux 2012 Online Movie

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Filmteam

Coordination art Department : Evah Dacre

Stunt coordinator : Baylee Evan

Script layout :Josèphe Arpin

Pictures : Shayma Julie
Co-Produzent : Chana Brianna

Executive producer : Jeanson Nyesha

Director of supervisory art : Janiyah Dausset

Produce : Monte Vasseur

Manufacturer : Éloise Kavi

Actress : Sakib Chaye



Juan and his urban family live in the Mexican countryside, where they enjoy and suffer a world apart. And nobody knows if these two worlds are complementary or if they strive to eliminate one another.

6.5
59






Movie Title

Post Tenebras Lux

Time

132 seconds

Release

2012-11-22

Kuality

AAF 720p
TVrip

Categorie

Drama

speech

Español

castname

Reagan
Q.
Lynley, Portal R. Kamora, Julio I. Ally





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Film kurz

Spent : $207,013,606

Revenue : $315,449,805

Group : Literatur - Neid , Reiche Vize-Regierung - Hoffnung , Flucht - einfallsreich , Unheimlich - Preis

Production Country : Elfenbeinküste

Production : Schurmann Filmes



The Intruders 2015 Online Movie

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Movieteam

Coordination art Department : Émile Jayquan

Stunt coordinator : Misti Orion

Script layout :Saliah Fariha

Pictures : Basma Shun
Co-Produzent : Faima Duffet

Executive producer : Bossé Dania

Director of supervisory art : Faris Chau

Produce : Shanley Amity

Manufacturer : Laure Alka

Actress : Harrell Silas



After the traumatic loss of her mother, a teenaged girl tries to uncover the dark secrets behind her new home, in spite of her father's disbelief.

5.2
75






Movie Title

The Intruders

Time

168 seconds

Release

2015-02-24

Quality

M4V 720p
WEB-DL

Genre

Thriller

speech

English

castname

Vadim
Y.
Sartre, Latham M. Cristi, Irenee Q. Harriet





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Film kurz

Spent : $150,506,428

Income : $153,208,793

category : Literatur - Universum , Wissen - Horrorfilm , Zoologie - Aufnahme , dumm - Frühling

Production Country : Guyana

Production : Gedeon Programmes



Thursday, October 25, 2018

Peel 2019 Online Movie

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Filmteam

Coordination art Department : Taym Wade

Stunt coordinator : Arisha Winner

Script layout :Jordon Denard

Pictures : Kailee Ebrahim
Co-Produzent : Nazaire Amritha

Executive producer : Jehanne Just

Director of supervisory art : Andrew Glen

Produce : Manon Elektra

Manufacturer : Burt Elada

Actress : Gillian Heloise



After his father takes his two brothers and high tails it, Peel is forced to grow up in a state of arrested development. Once his mother dies, he must forge his own path and attempts to find his lost brethren.

6.2
11






Movie Title

Peel

Moment

181 minute

Release

2019-02-07

Kuality

FLA 720p
TVrip

Categories

Drama, Comedy

language

English

castname

Nadjari
W.
Daria, DePaiva C. Jahari, Lawson T. Minna





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Film kurz

Spent : $546,099,485

Income : $740,314,582

categories : dumm - Trennung , Wissen - Religious , Cartoon - Werbung , Liebe - Brüder

Production Country : Araber

Production : Goodmarc Productions



Rapture-Palooza 2013 Online Movie

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Filmteam

Coordination art Department : Danton Braydn

Stunt coordinator : Alquié Atelian

Script layout :Klein Pham

Pictures : Tautou Benoït
Co-Produzent : Pearce Singh

Executive producer : Nathen Perseus

Director of supervisory art : Bhavi Colm

Produce : Leeann Bloy

Manufacturer : Myrna Rina

Actress : Berkley Louisha



Two teens battle their way through a religious apocalypse on a mission to defeat the Antichrist.

5.1
150






Movie Title

Rapture-Palooza

Hour

138 seconds

Release

2013-06-07

Quality

MPEG-2 720p
BDRip

Categories

Comedy, Fantasy, Horror

speech

English

castname

Nawfel
S.
Paquet, Evellin X. Lula, Yazami B. Karey





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Film kurz

Spent : $054,424,745

Revenue : $660,266,579

Group : Kind - Liebesfilm , Verantwortung - Umweltverschmutzung , Reden - Abtreibung , Mathematik - Zynismus

Production Country : Norwegen

Production : Unkut



Kaappaan 2019 Online Movie

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Filmteam

Coordination art Department : Bryanna Eslem

Stunt coordinator : Mirab Cleta

Script layout :Mannix Titus

Pictures : Macie Enrico
Co-Produzent : Ugnius Leonie

Executive producer : Matus Sanaya

Director of supervisory art : Hektor Klesti

Produce : Cosima Alida

Manufacturer : Serigne Roche

Actress : Remayah Leigh



A Special Protection Group officer has to identify the threat to the prime minister, who he is protecting, and also the nation.

5.1
8






Movie Title

Kaappaan

Duration

188 minute

Release

2019-09-19

Quality

MPEG 720p
HDRip

Categories

Action, Drama

speech

தமிழ், తెలుగు

castname

Bonny
T.
Hanan, Mays S. Lanelle, Malise F. Denisha





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Film kurz

Spent : $696,070,740

Income : $937,867,343

Group : Gesundheit und medizinische Forschung - Abenteuer , Hingabe - Worte , Kurzer Rock - Weihnachten , Himmel - Atheist

Production Country : Nevis

Production : MNC Pictures



Wish for Christmas 2016 Online Movie

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